Section links
  1. Acting - homepage
  2. Theatre 1957-1978
  3. Theatre 1978-1988
  4. Theatre 1988-1998
  5. TV & other work
  6.  
  7. Curriculum Vitae
  8.  
  9. A Winters Tale
  10. Professor Branestawm
  11. Stone Walls
  12. High Fidelity
  13. T.I.E.
  14. The Duchess of Malfi
  15. Hands Across the Sea
  16. Love, & Other Crimes
  17. The Magistrate
  18. Flower of Darkness/Light of Desire
  19. People for Dinner
  20. Treasure Island
  21. Treasure Island (2)
  22. Charlie & The Chocolate Factory
  23. Buddy Holly at the Regal
  24. Romeo & Juliet
  25. Supergran
  26. Fair Maid of the West
  27. A Midsummer Night's Dream
  28. I Fought Yuppie Zombie$ From Hell
  29. Dracula (2)
  30. Aladdin
  31. Othello
  32. 27 Wagons Full of Cotton
  33. The Cabaret of Dr Caligari
  34. Little Shop of Horrors

Ludlow Festival poster

There are more photos from this production below. Selecting any of the small thumbnail images will show a larger version of the picture in the main part of the page. »

  1. Sampson brawls with another servant from the opposing house
  2. Sampson brawls with another servant from the opposing house

Romeo & Juliet by William Shakespeare - Sampson

- Ludlow Festival. Directed by Chris Hayes.

Tiny part - not much more than a walk-on - in Romeo and Juliet at Ludlow. I think I was cast more as a swordsman than for the acting, and Derek Ware did his usual superb job with the fight-direction, especially as he had to work with a particularly sullen and unimpressive bunch of young 'actors' playing Romeo's friends and adversaries. Our Mercutio, in particular, exhibited an ego and bad attitude that was matched only by the lack of any discernable talent for acting (or indeed anything much except whining and stirring trouble). I particularly admired his incisive critique of the play when asked to perform some simple rapier moves by Derek - "The fuckin' play's not about fuckin' fightin'!". Well, actually, at the point in the story we were at the time, it is. Given the fact that Mercutio (as his name suggests) is intended by the writer to be dynamic, athletic, brilliant, witty and charismatic it was a pity that our director had cast a pudgy, shambling, brutish individual who could barely speak coherent English of the ordinary variety, let alone Shakepeare's verse.

Romeo and Juliet themselves were, thankfully, played by excellent young actors and the older cast was eclectic, experienced and, for the most part, top-notch. Mandy Rice-Davis was a particular revelation as Lady Capulet...but then 'I would say that, wouldn't I'!

Ludlow was a beautiful place to work (I recommend the 'Blue Boar' inn) and, although the size of the part was frustrating, it wasn't a wholly miserable experience.

Sampson brawls with another servant from the opposing house
Sampson brawls with another servant from the opposing house