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This play, by the Elizabethan author Thomas Heywood, had only been performed once before in modern times (by the RSC with Sean Bean in the role of Spenser - which shows how unlikely my casting was!) when director Amanda Knott decided to do it. My first (and pretty much only) stab at leading man was a hugely enjoyable 16th century romp telling the story of Bess Bridges, a humble barmaid who sets sail from Plymouth as the captain of a pirate ship to avenge the death of her gallant lover, only to be re-united with him in the court of the King of Morocco.
The wonderful Alison Rose played Bess with power and passion, and rightly stole the show. Another performance that I treasure still was Simon Browne's wonderfully camp King of Morocco. Claire Lyth designed a brilliant set which enabled some real 'Douglas Fairbanks' leaps and enabled some wonderfully spectacular swordplay in its relatively small confines - for some reason flashing swords always seem much more dangerous when the fight is taking place in a small area!
Sword fights, ship-battles, pirates, love, loss and laughter, and the small of real gunpowder hanging in the auditorium. Boy, those Elizabethans could write a play! One of my favourite productions, still...
"Jon Glentoran is a gallant gentleman buccaneer, with all the english virtues of gallantry, purity - and a touch of chauvanism..."




